Ceramics

AuthentiCity. Absurdistan

Stoneware, clay, underglaze pencil, glazes, pigments, liquid gold, 1250°C

2023

This piece explores the theme of authenticity of human existence. The sculptural installation consists of five parts, symbolizing the stages of self-awareness and modes of functioning in society:

1) “Normaland” – an inauthentic state in which the norms of society are accepted without question;

2) a) “Institute of Conformism” – an adaptive approach; the absurdity of the rules is well recognized but no resistance takes place; swimming downstream;

b) “Department of Imitation” – a panicked imitation of normality when the awareness of the situation creates despair but at the same time fear prevents one from quitting the system;

c) “Ministry of None of Your Business” – the role of architects of meaninglessness, creation of grotesque fiction which serves political gain at the expense of the freedom of each individual;

3) “Factory of Freedom and Social Exclusion” – the refusal to be a part of the system, withdrawal from it, the constructive pursuit of freedom which does not necessarily make the individual happy.

In order to execute the idea behind these pieces I use the metaphor of a city: architectural elements, symbolizing the five stages of societal self-awareness that I have previously mentioned. Spatially these architectural elements are surrounded by and interact with smaller figurative sculptures – the inhabitants of the city. They symbolize individuals who choose or unconsciously act in accordance with one or oftentimes several of the principles I define, choosing different strategies of adaptation or, on the contrary, non-adaptation in various situations of life.

“Department of Imitation”
“Normaland”
“Ministry of None of Your Business”
“Institute of Conformism”
“Factory of Freedom and Social Exclusion”
“Factory of Freedom and Social Exclusion”